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Thanks, Guilfoy. With many of the 'regular' stories already taking liberties, how outlandish were these 'Speculations' going to be? Ludicrously so, it turns out. This absurd mash-up of two Enterprise generations warps everything to eleven and beyond, as the UberEnterprise explores the ,th galaxy on its million-year mission.

The specifics are explained, but that doesn't make it any less silly. I just noticed this is by the same guy who wrote one of my favourites. I can see how, but I preferred it when he was twisting his dark tale to fit into Star Trek, rather than being a self-destructing fanboy. The Soong family soap opera was fairly well established in the series, so we don't really gain anything from heading back in time to watch alluded-to scenes taking place in the flesh and bioplast sheeting.

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Maybe they received a lot of technobabble entries that year, so were inordinately pleased to have a human one? Gladiator combat. Disembodied brains gambling with Quatloos. That fight music. Damn, now look what I've gone and done. Of all the 'what-if? That's what that episode was about already.

This just complicates things by sending the rest of the landing party back in time and widening the ripples until the future has no choice but to sort itself out.

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There's some nice interaction between the triptych, but the author's just playing around with a classic story rather than adding anything of value. You don't realise how many separate batches of genetically engineered superhumans there are in the universe until someone puts them into a story together. It's surprising that Khan and the Augments don't join the party of Jem'Hadar, Bashir and that guy with the eye tattoo from one of those samey rebel episodes of mid-TNG that all blur together.

There are some reasoned discussions about the merits and ethics of eugenics and what makes you you, but then it descends to Dominion War shoot-em-up and Guardian of Forever flogging.

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Look, here comes another one:. Epic in time scale, this really boils down to a crossover of various ageless aliens from the canon: godlike, mineral and goopy. If all you want from a Star Trek story is to catalogue various things you recognise "oh look, it's Armus" , you'll probably like it. It doesn't make any contributions of its own.

What if Star Trek's most placid species met its most terrifying? You know what you're getting into with this frankly titled story, so criticism is futile. Five years in, the rules have evidently relaxed since I read them, which is good to know. This story's only a few pages long and it doesn't feature any characters from the series, unless any of these Tribbles happened to be in the background of that episode. Ruminations on a theme of 'The City on the Edge of Forever' again, this time backgrounding the episode's events almost entirely until they briefly and fatally intrude at the end.

How many of us have spared a thought for the formerly anonymous, ill-fated homeless man, whose function in the episode is simply to be freaked out by the rabid McCoy, before his completely unnecessary and accidental suicide by phaser? Mary Scott-Wiecek has. Not having seen that much of Enterprise, I don't know if there's some background I'm missing out on here. It seems to be extracurricular and pre-series, but I'm not qualified to report whether T'Pol's response to the rock band is true to character.

The crowd's 22nd century banter feels appropriately half-way towards the starched and tedious 24th. One of the many restrictive rules of the writing competition was that you can't go around killing off characters. Yeoman Mears may be an insignificant character who only showed up in one episode wearing a red shirt that surely spelled out her fate sooner or later , but when she meets her pointless death at the beginning of this story, you just know that time travel or alien intervention is going to rear its degree swivelling head sooner or later.


  1. TRAITOR.
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  4. Prison and the Penal System (Criminal Justice).

What's so prize-worthy about it? I'm not sure, really. It's a good character sketch of Leonard McCoy, in his 40s and s, but I get the feeling they were disproportionately impressed at the author providing an origin for a plot-point-necessitated disease in TNG. I don't think he even got the symptoms right.

Geoffrey "The Soft Room" Thorne has the nerve to write a sequel to his own non-canonical story from a couple of years earlier this might have happened more often; I'm only reading It also turns out to be a sequel to a tonally different TOS episode, which was unnecessary, but never mind. I preferred it when it was about formerly unheard-of outsiders whose Prime Directive is benevolent interference, but that wasn't enough twists for Geoff.

Both stories feature naked people too. Just an observation. Deep Space Nine was my favourite Trek, but it makes sense that the cliquey serial didn't appeal as much to these writers as the more episodic series. This had previously been dealt with, briefly, in catch-up dialogue, but it's an unusual scenario that's worth taking the time to explore.

Even if it ultimately doesn't dodge the standard pitfall of being basically like every other Trill story, just as most Klingon stories and most Bajoran stories end up being largely the same too. What happens when a marine biologist skips town for a fresh start in the 23rd century?


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  • If Detective Chizum's on the case, it's not too difficult to connect all those messy dots her reluctant abductors left behind, but nobody would ever believe him. An enjoyable epilogue to the funnest Trek film. The editors request that contributors please keep their stories within the recognisable confines of Star Trek storytelling, but then they keep saluting the tangents. Categorising this as a TNG story doesn't make much sense, they were probably balancing the book.

    With the time period and mention of the Dominion, it would be more appropriate as DS9.

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    Its only familiar character is one who appeared in TOS, although it turns out to be a bit more complicated than that. It is a pretty odd story, set entirely in a simulated environment that sharpens along with its occupant's mental state and finally goes doolally. Tech Trek fans should enjoy it. But making it an Uhura solo mission does give it a distinctive flavour. Especially as it invites you to imagine her in an impractically flattering bodice.

    You don't need to be an historian to deduce who the famous figures are before the reveal. The literary connections are tenuous, the time travel method unimaginative, and the setting feels as artificial as a Paramount soundstage, even with its immersive stink. But Star Trek didn't always have to be clever.

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    A lot of the time, it's just good fun. The first story in the first anthology fittingly takes us right back to the era of Star Trek's unsuccessful first pilot. I had a feeling it would, or maybe just a hope. So it was a treat to embark on another mission, even if I would have preferred the exotic monsters to feel a bit more like large actors in suits. My favourites are always going to be the smart-arse ones, but I'm not incapable of appreciating a touching interspecies love story, race-mixing enthusiast that I am.

    Sarek's one of those characters who was only in it every so often, but who I can't help but feel extreme fondness for. Gerri Leen captures the inspiring Vulcan's essence, and you might just end up falling in love with him too. But there's also a sinister side to this story. It's not like Sarek intended to groom his future bride when he first met her as a young teenager, but when he selects her as his intern a few years later, you wonder what was going through his recently-widowed mind and loins.

    When it's revealed that she had a troubled upbringing with a violent father, it fits all too well. Bick , and Geoffrey Thorne. The series ended in Smith announced via his blog that "Ten years was enough. It was a fun ride. However, the terms for submissions were considered so onerous by Smith he encouraged potential contributors not to participate.

    No editor was credited, and no new editions have been announced. From Wikipedia, the free encyclopedia. Archived from the original on Retrieved New York: Pocket Books. In Smith, Dean Wesley ed. Strange New Worlds VI. Star Trek publications. Star Fleet Technical Manual Mr. Typhon Pact. Mission to Horatius Spock Must Die! Star Trek spin-off fiction The Klingon Hamlet.

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